Bleeding Head Good, Healed Head Bad


Bleeding Head Good, Healed Head Bad is a collection of experimental lo-fi recordings I made in 1992-1993, inspired in part by the Church of the Sub-Genius. It consists of double-speed guitar improvisations and demos, live performances from the 1992 X-Day Devival in Austin, Texas, and other random episodes of chaotic madness recorded on a handheld microcassette recorder, as well as a handful of unfinished pieces from 4-track cassettes, all digitally spliced and diced together with drum loops and other overdubs into a giant collage of fucked-up shit.